Peter Trias has been building  an increasingly stellar reputation for himself ever since he moved from his native New York City to Florida. He has been performing his original music with various groups on the Florida music scene for many years. As an eclectic jazz guitarist, Peter has also had the privilege of performing and recording with many renowned jazz artists such as Wayne Shorter, John Patitucci, Dave Weckl, Jaco Pastorius, Blues legend Bo Diddley, "Toots" Thielemans, Anythony Jackson, Tom Breckline and vocalist Ben Vareen, just to name a few.

Peter knew from his early childhood that music was his calling. He was first drawn to the early Motown recordings and to the progressive rock of the 60's. The young Trias devoured the music of his youth and then - like millions of other American teens of the 60's - he saw the Beatles on the Ed Sullivan show, thus adding to his growing list of influences.
For a young up-and-coming musician, the 60's was a unique time period for gaining insight and inspiration from a plethora of amazing artists.
"As a young guitarist, hearing and seeing the likes of Jimi Hendrix and Cream perform on stage was a real high point for me."

As a youth, while growing up in a South Florida orphanage, Peter was primarily self-taught. "At the time, I didn't have the privilege of taking private music lessons. I simply learned the basics by listening and closely observing others play."

Peter's entire musical perspective dramatically changed when a school counselor took him to see and hear Andre Segovia perform in concert.
"Imagine seeing the maestro Segovia for the first time? It was a life-changing event for me."
Peter was taken backstage to meet the master classical guitarist, whereupon Segovia shook his hand and asked, "so you like playing the guitar? Well then... you must always practice, work hard, and follow your dreams." Hearing those encouraging words directly from Segovia always resonated in Peter's persona. For a brief time after that encounter, Peter continued to explore other classical artists such as Christopher Parkening, Flamenco guitarist Carlos Montoya and composer Igor Stravinsky, all of whom he saw perform live.

During his sophomore year in high school, Peter was invited to his first jazz concert featuring the Dave Brubeck Quartet. It was at this concert that Peter came face to face with the art of jazz improvisation.
"I was mesmerized by the ability of the players to communicate to each other with such proficiency and ease, not to mention how they took a tune and stretched it to no end."
Still in the early stages of his musical development, Peter began to explore the vast array of jazz giants. Some of his most notable influences were jazz artists Wes Montgomery, Pat Martino, Jim Hall, John Coltrane, Bill Evans, Miles Davis, Herbie Hancock, Charlie Parker and Joe Diorio.

After a long season of self-discipline in guitar technique and music theory, Peter decided it was time to enhance his knowlege of jazz harmony. He was introduced to South Florida's guitar legend Bob Whitlock by close friend Randy Bernsen. "I was very fortunate and privileged to have studied with Bob, a master of tunes and jazz standards."
After a couple of years under the wings of his first teacher, Peter signed up for private lessons with Vincent Bredice, author of the renowned "Guitar Improv" book. It was through the counsel of Mr. Bredice, that Peter enrolled at Miami Dade College as a Jazz Performance Major. He also minored in Cello, which broadened his musical palette all the more.
Peter acquired a real passion for classical composers and their music after several years of performing as a cellist in the college orchestra and the Broward Community Symphony. He continued his guitar studies while pursuing his music education and graduated in 1978.

As a passionate leader, player, composer and respected educator, Peter now stands as one of the elite players in traditional and contemporary jazz. He has absorbed a lifetime of real-deal experiences during his musical career. Peter Trias is now based out of New England, where he is exploring new avenues for spreading his musical signature.